Looking for:
Capture one pro 12 song free |
Capture one pro - Capture one pro 12 song free
Capture one pro 12 song free
Some welcome additions to the package, if I could ask for anything it would be to speed up image preview creation. I use C1 21 and whatever it cant do I can easily send that file to edit in apps which can do many things better.
If I need blur or advanced layers, I send to Affinity Photos which does virtually everything else I need, is amazingly stable and runs fast on all my computers both new and old. IMO perhaps the best overall photo editing app for the money For most of my work C1 21 does a great job not to mention file management and perhaps the best editing brushes available on any app. For serious noise reduction my work goes to DxO PureRaw which in my opinion is a good or better than all others.
I will look no further for years to come.. That would facilitate moving back and forth between programs. I open certain files from C1 to Affinity either as Tiff's or from a designated folder which holds certain raw files to Affinity. I can't remember the last time I needed to do raw processing in Affinity and certainly for me never even a distant thought to use subscription Adobe for those very few instances but also with almost no discernible differences in output.
I take my photography seriously and editing is most often minimal because I count on my gear and my skill to get a good exposure by not taking bad images in the first place. I never try to resurrect a bad one, like for what? If I'm going to invest thousands into a camera and lens system then have to have my workflow take long baths in edits because I decided to to reckless in taking an image, then I think I've reached a point of dimishing returns, no?
I do have to admit that I primarily used Affinity to do panoramic stitching - until CO included it. However, I have some panoramas made with my fisheye that CO and my old version of standalone LR have issues with. CO does it and so does Adobe. I follow a similar approach - C1 is my central application for image processing. I've tested DxO Pure Raw but have never included it in my workflow. It has terrible oversharpening and produces serious chromatic aberration. However, DxO support is questionable.
Why they respond quickly and try to be helpful, their diagnostic tool is extremely intrusive. It literally records your entire directory structure, user permissions and login names.
I was hoping for much improved HDR merge functionality which is lacking at the moment in many ways, among other limitations the much needed ghosting removal. If anything moved in the merged photos, a strange pixelation appears most obvious in skies with moving clouds, tree foliage etc.. Older versions of both have been given away from time-to-time I'm still on C1 12 Pro for Fuji and considering upgrading. I heard that in one of the following versions noice reduction has been improved.
Can anyone tell me based on own experience if the improvement of the NR in the current version is noticeably better than in V1 12? Just a warning to those of you thinking of jumping to a subscription model from them - absolutely don't. So if you own C1 21, and upgrade via subscription this year, and then decide, you know, I was ok with C1 21 - too bad You can't even use upgrade pricing any more from your previous perpetual subscription.
Thanks for the heads up. That sounds unbelievable. Do they give a discount if you upgrade from a perpetual license to a subscription? That's the only case I could see this being acceptable. Makes me wanna go back to Pirate Bay days. Then when your subscription runs out, you want the licence you traded in back. Do the companies that put food on your tables also throw money away? You can find that on your lens.
It has the form of a ring and if you're lucky it clicks when you turn it. Ha ha anwiko, but that's a wacko comment, and if you understood how to use such a tool, you'd see the value of it, instead of emulating it. Just use a few layers and set Clarity and Structure to zero. A workaround but it works in a pinch. I have a few images where I have up to three or four layers of zeroed out clarity and structure. All that updating to the importer and didn't add the one feature people have been wanting for years.
The ability to add Keywords on import to all the images being imported at once. All really all nice and welcome. That was my first thought! Capture One was "made by photographers for photographers" and it seems that they never bothered about history panel. And never will. I miss it a lot. Even after CO has stated ad nauseum that the order of adjustments is not relevant. If you want Adobe or Affinity, then use them.
Fairly new to C1, coming from Luminar. I used to occasionally use the history tool to go back an tweak a particular edit and have looked for a history tool in C1. I know you can go back and edit a particular layer, but can you edit an individual adjustment like you can with a history tool? Ergo Exactly what I pointed out. If you've never used Lightroom's History and Snapshots panels it's Adobe you know then you have no idea how efficient they can be and don't bother about the lack of such functionality in Capture One.
Fotofailure: not really sure what you mean, but say you want to tweak exposure, just go to the exposure tab and adjust the slider. It's been a while since I used LR and I know that the order in which you make adjustments has an impact on the final result at least, it used to be so in LR, not sure if it is still that way, in C1 it doesn't make any difference what order you take. For the love of me, I wouldn't know why you would need a history tool in C1, but maybe someone who is coming from LR would be more comfortable then Ergo "I used LR and I know that the order in which you make adjustments has an impact on the final result That's not true, in Lightroom order of the adjustments doesn't have any impact, that was their basic statement from the very beginning of the software, the idea is exactly the same as in Capture One.
The only thing that should be taken into consideration is that if you make power consuming adjustments like noise reduction or local retouching in the begging of your retouching workflow, then each next adjustment will take more processing power to update to the final look. Meanwhile, in Capture One the order of the layers can make sense in some extreme situations, look at here:.
In a nutshell, if you create two layers and one makes the image pure black and the other makes the image pure white, the black or white result depends on which layer is on top.
If you clone something out from a sky are after sky has been selected, you will often see a white outline of whatever has changed. C1 can sometimes behave similarly. As to why a history panel, sometimes it is very useful to be able to look back to see exactly where a change was made which you now no longer like.
In one of his excellent C1 videos, Paul Reiffer managed to confuse himself as to where a change had been made and clearly would have benefitted from the ability to step backwards and forwards to look more closely. If experts such as he can get confused as to which changes have had an adverse effect, what hope is there for lesser mortals such as us? Just hitting ctrl-z a number of times may allow you to step back, but it does not tell you what each change was, to help you learn from your mistakes.
I do not understand the opposition to a history panel: clearly it may be useful at least for some people , and C1 is so configurable that if it offends your eyes even to see its availability, it would be easy to hide it. Strange then how LR being slow is an internet meme at this point. There's so many articles both by third parties and Adobe themselves on how to improve performance. LR is sluggish and still doesn't handle Fuji files as well as C1.
The latter closer to Adobe's deal so more useful when trying to do a price comparison. Yeah but then you're stuck with Adobe's lousy color.
C1 has way better ICC profiles for cameras. ProStandard alone is worth it, let alone the camera specific profiles that are leaps better than the Adobe flavors.
The latter closer to Adobe's deal I got both, C1 is noticeably faster, has a nicer RAW engine but LR's masking, stacking, tools are superior, C1's noise reduction is almost useless but the single pixel function is good, somewhat. C1 is aimed at studio photogs, LR is better for everyone else. Smart adjustments is a killer feature for large-volume photography like weddings, provided the intelligence behind the per-photo adjustments is implemented well.
I picked up 22 on discount, that should do me for a few generations until i can be bothered to upgrade, definitely dont see the point of buying it every year, or paying monthly. The "free" version of Capture One Live isn't really free, it's just at no additional charge whether or not you use it, but it still requires Capture One. But you're still paying for it with your Capture One Pro license. Linux on the other hand is actually free since I can get it without paying for anything else that the distribution offers.
Your point is? Name the tool that runs on Linux that allows for the functionality of CO Live. Explain how to essentially do this in anything made by Adobe. My point is merely to point out that the use of the word free is in the marketing sense. I have no comment on tools on Linux verses Capture One Live, nor do I have any criticism against the product itself.
You are barking up an irrelevant tree. In the last release CO Live was an additional cost. The v23 version is limited but built into the system - in that sense it is free.
Would you prefer it to called "at no additional cost"? That is just wordsmithing, you still have to explain how a Linux solution to this particular feature is done. For users on subscriptions, these annual "major" update jamborees aren't really very newsworthy or significant events. I've no doubt other features will be added as and when they are available. In the meantime, new workflow improvement features such as Group Overview and Smart Adjustments are useful and welcome.
If you're a perpetual license user and new workflow features are not important to you, just skip C1 and save your money for something else. So for people actually shooting these things C1 Pro focuses on actual value for photographers as opposed to typical Adobe AI buzz words loaded marketing bs. While it boasted quite a few advanced features, it was accompanied by a hefty price tag.
DJI has pared down this offering a bit with their latest subg release, the Mini 3. Is it worth the investment? It's powered by the same impressive tech that guides self-driving vehicles and can detect and avoid obstacles from every angle. Can it overcome a lackluster camera to win hearts and minds? The latest iteration of ON1 Software's flagship Raw editor is jam-packed with AI smarts that aim to lighten your workload by taking subjects into account when making selections, applying presets, keywording and more.
Find out if it's right for you in our review! Every year, DJI releases a new consumer-grade smartphone gimbal. The Osmo Mobile 6 is the latest model in the series. Is it good enough to enhance your videos and photos? We've combed through the options and selected our two favorite cameras in this class.
These capable cameras should be solid and well-built, have both the speed and focus to capture fast action and offer professional-level image quality. Family moments are precious and sometimes you want to capture that time spent with loved ones or friends in better quality than your phone can manage.
We've selected a group of cameras that are easy to keep with you, and that can adapt to take photos wherever and whenever something memorable happens. What's the best camera for shooting sports and action? Fast continuous shooting, reliable autofocus and great battery life are just three of the most important factors.
In this buying guide we've rounded-up several great cameras for shooting sports and action, and recommended the best. The Orion spacecraft will be landing off the coast of Baja California this weekend. On December 5, Orion's 20th day in space, the spacecraft performed its longest engine burn and captured some of its best photos of the moon. The new lenses remain essentially unchanged from their Sony E-mount and L-mount siblings, which were released earlier this year.
Watch as photographer Markus Hofstaetter restores a year-old Century No. Apple has announced it intends to release advanced security features to protect various data stored on iCloud, including photos. The new photo protection adds full end-to-end encryption for users' saved images, provided they opt-in to the new Advanced Data Protection option.
Creativity comes in ebbs and flows. Recognize your pattern, kill your ego and embrace what you don't know to improve your skills, fast, and remain a lifelong learner. Chinese smartphone maker Tecno has announced a new flagship smartphone at an event in Dubai.
The Phantom X2 Pro includes a triple-camera rear array featuring a retractable smartphone camera with a 50MP sensor and 2. Photographer Benedek Lampert took a massive LEGO Eiffel Tower into downtown Budapest to capture a nighttime photograph that made the replica tower look almost as real as its much larger, more metallic Parisian predecessor.
Perpetual license owners will receive bug fixes until the next major release, but new the features and functionality you get at launch is what you have to work with going forward. Chris and Jordan recently spent a delightful afternoon sharing their list of the year's best and worst camera gear. Now that their hangovers have worn off, they've prepared a more sober reflection on their choices.
Pixelmator 3. The new features include brand-new video editing tools and support for additional motion-based designs and file formats.
The winners of the International Landscape Photo of the Year awards have been announced, showcasing stunning natural beauty from around the world.
The Loupedeck Live S is now available following a successful crowdfunding campaign. The new editing console is Loupedeck's most affordable and compact product, making it a great choice for beginners or photographers on-the-go. As someone who came of age in the digital world, I never thought I'd be a fan of film photography. One film class in high school, however, changed my outlook on the analog art form.
Landscape pro Erez Marom takes a look at how to best achieve a sense of depth in landscape photographs. It's that magical time of the year when Chris and Jordan look back on the year's best and worst releases of photo and video gear.
Tradition dictates a drinking game, and this year it's a doozy Film photography is continuing its revival. New films are being announced, new cameras are being unveiled and we've rounded up a collection of film photography items you might want to consider getting over the holidays. Portrait photographer Markus Hofstaetter knows a thing or two about capturing eyes of subjects.
For his latest project, however, he takes eyes to the extreme with super-close-up macro photos of irises, showing eyes in a new, alien-like light. When it comes to workflow, organization, and archiving years of accumulated photos and videos, everyone has their own system. DPReview's Jason Hendardy highlights a few items that have worked for him throughout the years, while also asking our community to share their approaches and what's been working for them.
Shotkit surveyed 1, amateur and professional photographers to see what cameras they used for professional and personal work. The results were interesting in more ways than one. For many film photographers, a light meter is a critical part of their kit.
The second-generation manual prime lens features an updated optical design and a new square lens hood. Reading mode: Light Dark. Login Register. Best cameras and lenses. Now reading: Here are the six new features in Capture One Pro 23 comments. Smart Adjustments Smart Adjustments help automate part of the editing workflow for portrait, wedding and event photographers by using faces and skin tones to determine automatic adjustments to achieve a consistent look across a large group of photos.
Tags: capture-one , capture-one , software-news. View Comments Comments All Pixel I wish, they would add Viltrox lens profiles. ZZT Any performance improvements? Changing even exposure is painfully slow vs Lightroom. Graham I agree. Pixel The lack of new good features for my use and workflow, and the on-going non competitive price jumps let me skip this years upgrade. Jon It's a bit of an improvement over last year, were the headline features were Pano and HDR tools that weren't as good as stand-alone ones people seriously interested in those things probably already had I certainly did.
Pixel Soulbird. Spectro capture 22 magic brush crashes if you use it with more than a few clicks. Nova Strict What do you mean, David? David Mantripp Huh. Alan Williams ZA Thanks for that. Nicolas Det It does. Midwest Camera Guy Said no one ever. Nova Strict Correct me if I'm wrong, but Resolve only has perpetual license if you bought their license dongle. Brett You pay one time for Resolve Studio and get all updates forever. EdwardWestonNYC haha - joking right? Midwest Camera Guy There are exceptions.
WJaekel It looks like they increasingly just focus on wedding and studio photographers. Having said all that, I am also skipping v23 for now anyway. David Mantripp Personally I agree that the release this time around is largely aimed at wedding and studio photographers, although I also agree that the culling can be very useful for wildlife photographers.
So, er GrymphM I just cannot see that this update is worth the extra costs involved. Eric Jacobs There are a number of posts on the Capture One forum from Mac OS users who are having problems with this update app crashes, problems opening catalog. James Grove Some welcome additions to the package, if I could ask for anything it would be to speed up image preview creation. Hornsbee I use C1 21 and whatever it cant do I can easily send that file to edit in apps which can do many things better.
Hornsbee I open certain files from C1 to Affinity either as Tiff's or from a designated folder which holds certain raw files to Affinity. LexMi simply download the trail version. Toni Salmonelli Right, I may try it. FotografMagnus The culling thing is a much welcome feature, i like it! JConrad Just a warning to those of you thinking of jumping to a subscription model from them - absolutely don't. Yet, I am not surprised.
Horshack Thanks for the heads up. Photoman Makes Apple and Adobe look like angels! David Mantripp you people Sc And still no blur tool Sc Ha ha anwiko, but that's a wacko comment, and if you understood how to use such a tool, you'd see the value of it, instead of emulating it. Josh All that updating to the importer and didn't add the one feature people have been wanting for years.
Nicolas Det It's possible through preset. LexMi that's a pretty good update. The new features are huge time savers. Graham Still no history panel? Yoggy That was my first thought! Ergo Give me one reason to have a history panel in C1.
It's not Adobe you know FotoFailure Fairly new to C1, coming from Luminar. If you can, tell me how. Yoggy Ergo Exactly what I pointed out. Ergo Fotofailure: not really sure what you mean, but say you want to tweak exposure, just go to the exposure tab and adjust the slider.
Yoggy Ergo "I used LR and I know that the order in which you make adjustments has an impact on the final result Ergo yoggy could be, but I still don't see why there should be a history panel, unless I am missing something here Graham As to why a history panel, sometimes it is very useful to be able to look back to see exactly where a change was made which you now no longer like.
Nicolas Det Behind in what? And C1 is not intend to replace PS anyway. Capture One meanwhile just flies no matter your setup. Hustle76 SDPharm - there are two subscriptions for C1. Terrible Photographer Yeah but then you're stuck with Adobe's lousy color. Djehuty I got both, C1 is noticeably faster, has a nicer RAW engine but LR's masking, stacking, tools are superior, C1's noise reduction is almost useless but the single pixel function is good, somewhat.
Both being far behind DxO. C1 Pro is far from being aimed only at studio. LexMi have you accounted for taxes?
Horshack Smart adjustments is a killer feature for large-volume photography like weddings, provided the intelligence behind the per-photo adjustments is implemented well. JasonTheBirder The "free" version of Capture One Live isn't really free, it's just at no additional charge whether or not you use it, but it still requires Capture One.
PDL Your point is? Of course, generic adjustments to the entire image are still possible with the background layer. I am also a huge fan of the highly customizable user interface of Capture One Pro. For example, the Black and White Tool Tab that comes with Capture One Pro contains the film grain tool, for adding artistic grain to images, but because I never use that, I simply remove it from the Tool Tab.
I do use Layers a lot though, especially on my black and white photos, so I added that to my Black and White Tool Tab, along with the High Dynamic Range sliders, which I also use a lot. The other thing that I love is that pretty much all of the edits you can make to an image can be applied just to specific layers, including masks, as well as generically to the entire image.
The Vignette tool also works on the entire image or the crop, depending on your selection, but as you can see from this screenshot, there is a paint-brush icon next to all of the other tool headers. This indicates that the adjustments that you make with that tool can be applied to layers.
These icons become visible when you select a layer in the Layers tool. I also love to work in color, and Capture One Pro gives me complete control over the color in my images, via tools such as the Advanced Color Editor. Here I took a screenshot of the same image showing the original raw photo, but also showing the processed image with the mask that I created to enhance the blue in the ice, and the final processed image.
You can move the vertical bar separating the two views as well. On the left side, I have three views, and on the right side, I have the final processed image. I created the mask by selecting the color with the color picker from the Advanced Color Editor, and then right-clicking the ellipsis in the top-right of the Color Editor and then selected Create Masked Layer from Selection.
This is a great way to select specific colors for finely tuned adjustments. Here are the three images as regular files too, so that you can see them in the Lightbox by clicking on the images. In the previous major update, Capture One was given one of the most useful features that I can recall for a few years, and that is Luminosity Masks.
This enables us to select specific areas of the image based on a very fine-tunable luminosity range. I covered this in the following video that I release as episode I also find that the editing tools, including cloning and healing, are good enough that I can avoid jumping into Photoshop or Affinity Photo to make larger changes for the vast majority of my images.
Seriously, I save maybe one or two files each year in a format other than the original raw file, and this is huge for me. I really dislike having to round-trip to other software to work on my original image as keeping them in their original raw format gives us the ability to benefit from all future processing engine updates.
If my images are stored as a TIFF or PSD, or any other third-party file format, I have to go back and redo any work that I did on my original because that was baked-in to my copy. Because all of the changes I make to my images are stored as instructions and mask files etc.
This also, of course, saves on disk space, as third-party file formats are generally much larger than the original raw files unless you are saving as JPEG, which should never be the case for the main archive version of your images anyway.
When I need to find images, the filters section provides pretty much everything I need to find specific images, based on my star ratings, gear selection or searching for the keywords that I add to my images as I archive them, or any EXIF data, including that which I added myself to scanned film photographs.
Now though, I leave every tour with every day except the last completely processed. As I go through similar images this saves me heaps of time, and as the image content changes requiring changes to my copied adjustments I simply update the copied adjustments and continuing pasting until it needs changing again. The last thing that I wanted to mention is the ability to shoot tethered.
As you can see, you can control most of the aspects of the camera right from the Live View window, including even making very fine adjustments to the focus, and, of course, releasing the shutter, so if you do focus stacking, this is a great way to work.
On that note though, as I mentioned at the beginning of this episode, I have a Capture One Pro license to give away and wanted to invite you to take a look at an amazing resource that the Capture One Pro creators have put together, called the 30 Day Challenge. If you are new to Capture One Pro, this really is an invaluable resource. If this all whets your appetite enough to give Capture One Pro a try, please do download the fully functional 30 day trial version , with no credit card required, and take it for a spin yourself.
I had been meaning to try Capture One for years, and finally set an afternoon aside to do it in the summer of , and from that first photo that we looked at earlier, I was hooked.
To enter for your chance to win the license that I have, I would like you to do two things, in addition to downloading the trial, and that is to write one paragraph describing what you liked about Capture One Pro, and link to one photograph or blog post that you can share based on your experience.
Please post these below in the comments, and make sure that you use a valid email address for your comment, so that I can contact you if I select you as the winner.
Your mail address will not be visible to anyone else, and I will not share any of the email address with anyone, including the folks at Phase One, the makers of Capture One Pro. Also, please only enter if you do not already own a current Capture One Pro license. At the moment you can buy my eBooks and Fine Art Border scripts, as well as my Viewfinder Mockup files, and a more streamlined monthly desktop wallpaper subscription with a 12 image Starter Pack.
Now might be a good time to enjoy your photography introspectively, and taking a look at your organization can lead to a deeper appreciation of your work as well as making it easier to get to. My entire year drive is called my Traveler, because it not only travels the world, but it travels nicely between my computers too, as I also keep my Capture One Pro catalogs on the drive, so I can just catch up where I left off simply by moving the drive between my computers.
My Finals drive also travels everywhere with me, but that is where I store everything that I feel is worth showing people, and images that I will actively use going forward. From the first of my Japan Winter Wildlife tours, I came back with images that I am really happy with, and from my second Japan Winter Wildlife tour, I found myself with images.
The main reason for the reduction on the second tour was the warm winter affecting the behavior of the sea eagles. To facilitate this, and to help me speed up my workflow, I create a Smart Album at the start of each tour, that will automatically gather all images of two stars or higher during the dates of the tours, so as I go through my images each day and make my selections, they automatically appear in this Smart Album.
Here is a screenshot of the settings, and although this is in Capture One Pro, you can do something very similar in Lightroom. The important thing here is to ensure that the Include Existing Adjustments checkbox is turned on under the Adjustments section. That did give me the opportunity though to show you how updates are handled for the rest of the year, as I now have a folder in my Finals catalog, so all I have to do after copying any new work across is right-click my folder and select Synchronize.
I will then keep the Traveler in my pocket or a locker for the entire time. This can take a while, and I have to choke the upload speed a little so as not to get my Internet connection crippled by my stingy provider, but even after a wildlife trip with thousands of images, within a few weeks of getting home my new work will be backed up in the cloud.
Being slightly paranoid, I actually have a second Drobo which I turn on occasionally and run another Chronosynch job to synchronize my first Drobo with my second.
This is just to save me waiting for a cloud backup to be delivered from Backblaze should I ever have anything go wrong with my Drobo. The cloud backup is really my ultimate disaster recovery plan, should something happen to my entire house, taking out both Drobos.
My entire back is currently around 17TB though, so downloading it over the Internet is not really an option. I also use it to create temporary collections like this Want to Print collection. I might tweak the selection too, but there is something about the tactility of the format that makes me want to print at least a selection of images. I found it so interesting and calming to work with film after almost twenty years and also developing the film myself using the Lab-Box.
Whether you shoot film or digital though, printing can be incredibly fulfilling, so I wanted to suggest that if you are staying safe and healthy during these times of crisis, and find yourself with some time at home to enjoy your photography, printing can be a great way to do that.
It might be hard to source a new printer at the moment, but even if you have an inexpensive A4 inkjet printer hanging around, the results can be surprisingly good, so maybe give it a try. I recently released a video that I created for the Phase One team, covering all of the new features in my raw image conversion and management software of choice, Capture One Pro.
❿
Comments
Post a Comment